Here are a couple more of my life drawings from last week, as well as some tip top advice from Richard Williams, about how to do draw from life, to help Animators.
Whilst working on some animations, I needed to refer to Richard William’s excellent book, The Animator’s Survival Kit for some help. I came across a paragraph that I wanted to share.
It’s all very well for me to attend Life Drawing classes, but there are some elements I can really work on, to help improve my animations. Brushing up on core skills, and keeping your talents practiced is a good habit to keep – but the following passage struck a chord with me, of how I can make my Life Drawing even more effective – especially from an Animator’s perspective. Richard Williams, says this:
A model splattered on the floor for hours is a help for the drawing and understanding of form etc, but from an animation point of view we need to move the figure so we can see the weight, the balance, the vitality, the twisting, the force, the way things are put together when the body is in movement. Obviously, the solution is to do Quick Poses.
So, that’s it. Whilst it can be quite difficult to take over a shared life drawing class, and demand which poses you want to draw, it seems here the most important thing to focus on, is the quick sketch opportunities. But moreover, to study and observe where the weight is, and capture that in the drawing. Work out where the force and balance is coming from and make sure it’s clear in your work…just like animating a character.
Here are some more of my sketches form last week. Where’s the weight?:
If you’re training to become an Animator, or indeed already are and don’t have Richard William’s book, I can’t recommend it highly enough. It’s superb and incredibly helpful. It’s definitely the most referred to book in library of Animation books.
Or if you’re in the States, you can get it from Amazon.com here.
(The section I quoted is on page 377, by the way)
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© Marc Godfrey 2014
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